An Unproductive Ambiguity

Brady Corbet’s epic Academy Award-nominated film, The Brutalist, traces the career and personal life of fictional architect and Holocaust survivor László Toth, played by Adrien Brody, as he seeks to find his place in the United States after World War II. In this episode of On the Nose, contributing writer Rebecca Pierce, associate editor Mari Cohen, contributing editor Siddhartha Mahanta, and contributor Noah Kulwin unpack the film’s symbolic use of Israel and Zionism as an apparent solution to the racialized antisemitism faced by its Jewish characters upon their arrival in the US. The conversation delves into the film’s explorations of post-Holocaust Jewish life and American racialized white supremacy, as well as the contrast between its clear artistic vision and ambiguous politics. This episode includes spoilers for the film and discussions of its onscreen depictions of sexual violence. Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).” Texts Mentioned and Further Resources: “About the Destination: The Brutalist and Israel,” Noah Kulwin, Screen Slate “Adrien Brody Addresses Backlash Over Halle Berry Oscars Kiss—but Stops Short Of Apologizing,” Kelby Vera, Huffington Post “The Suppressed Lineage of American Jewish Dissent on Israel,” Emma Saltzberg, Jewish Currents The Tribes of America by Paul Cowan